Music Production: Synthesis Presentation

Hello friends,

Another week and another assignment for my Intro to Music Production class with Coursera.com.  I’ve really enjoyed this class but I must admit it’s been a real challenge trying to get all the information to stick in my head.

This presentation discussed the “Usage of the most important synthesis modules.”  Just click on the Presentation Art  below to make the jump to view my prezi. I hope you enjoy it!

 

Cheers and God bless!!

Cosima

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Singer…. know thyself!

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Good morning vocalists!

How do you feel about your level of competency as a musician/vocalist?  It’s a curious thing to see the number of people who have no idea what they sound like when they sing. Some folk’s unconscious incompetence is clear to those listening but they have no clue they are singing off pitch.

Here’s a little something that can help you determine what stage you are in regarding your competency.  It can be helpful in giving you perspective in setting and pursuing your goals.

THE FOUR STAGES OF COMPETENCE

- Unconscious incompetence
The individual does not understand or know how to do something and does not necessarily recognize the deficit. They may deny the usefulness of the skill. The individual must recognize their own incompetence, and the value of the new skill, before moving on to the next stage. The length of time an individual spends in this stage depends on the strength of the stimulus to learn.

- Conscious incompetence
Though the individual does not understand or know how to do something, he or she does recognize the deficit, as well as the value of a new skill in addressing the deficit. The making of mistakes can be integral to the learning process at this stage.

- Conscious competence
The individual understands or knows how to do something. However, demonstrating the skill or knowledge requires concentration. It may be broken down into steps, and there is heavy conscious involvement in executing the new skill.

- Unconscious competence
The individual has had so much practice with a skill that it has become “second nature” and can be performed easily. As a result, the skill can be performed while executing another task. The individual may be able to teach it to others, depending upon how and when it was learned.

source: wikipedia

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Back to School Special!!

What about a Back To School Special on lessons? Message me with the code HSGLEE and get 15% off your next lesson or 15% off 1 month paid lessons.
Refer a friend and receive 30% off your next lesson for every friend that registers for a monthly contract.
And remember: New students get a free intro lesson.

I also teach basics for acoustic guitar, mandolin, ukulele and piano. Tell a friend! Offer ends 9/31/14Screen Shot 2014-08-24 at 11.03.05 PM

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More on Effects in the production process

Greetings music lovers! This week my assignment with Coursera for the Introduction to Music Production class is to “Compare and contrast an algorithmic and convolution reverb. Demonstrate the difference and the important features in both types of reverb.”

I’ve tried on several occasions to embed my presentation but have had not luck.  Please visit my prezi by clicking the Prezi Artwork below to view the assignment.  And, thanks for visiting and taking the time to read through my work.

 

Blessings,

cosima

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Distortion ~ The Good and the Bad

Hey there folks!  Cosima here.

This is the fourth assignment in a series of posts I’m writing for the online Music Production class I’ve been taking.  For this week’s assignment I’ve chosen to prepare a presentation to “Explain distortion and give examples where it can be both musical and problematic.”

Click on the Prezi Artwork below to enjoy my presentation and perhaps learn a little something too.

God bless and thanks in advance for any input you might like to add.

 

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For the sake of Zion I will not be silent!

“For Zion’s sake I will not hold My peace, And for Jerusalem’s sake I will not rest, Until her righteousness goes forth as brightness, And her salvation as a lamp that burns. The Gentiles shall see your righteousness, And all kings your glory. You shall be called by a new name, Which the mouth of the LORD will name. You shall also be a crown of glory In the hand of the LORD, And a royal diadem In the hand of your God. You shall no longer be termed Forsaken, Nor shall your land any more be termed Desolate; But you shall be called Hephzibah, and your land Beulah; For the LORD delights in you, And your land shall be married. For as a young man marries a virgin, So shall your sons marry you; And as the bridegroom rejoices over the bride, So shall your God rejoice over you.” Isaiah 62:1-5, NKJV

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Full length CD ~ Surrendered

 

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What about effects?

In my last post I briefly took a look at Digital to Analog Conversion. Today I’d like to discuss effects.  Not guitar pedal effects, which in my case would probably make more sense to those of you who know me well, but Digital Audio Effects used when configuring a digital mixing board, their categories, plugins and properties when using a DAW (Digital Audio Workstation).

This is the third post in a series devoted to completing assignments for an online Introduction to Music Production class.  I hope you enjoy reading about what I’m learning and perhaps get some learning along the way.  Any input on your part is appreciated. Thanks in advance for taking the time to read through the material.

Categories of effects: Teach the effect categories including which plugins go in each category and which property of sound each category relates to.

Categories of Effects: Plugins and Properties.

The process of recording, mixing and editing music has come a long way and those that have gone before us have paved the way to great music production by giving us some pretty awesome tools or plugins that help us get the sound we’re hearing in our heads into the airwaves and into the ears of our audience.  The complex spectrum of Audio Effects at our fingertips is simplified a great deal when we understand their categories and the most appropriate way to configure them into a signal flow based on their uses.

Digital Audio Effects fit into three basic categories in digital processing that relate directly to some basic elements of sound itself.   These three categories are

Category 1: Dynamic Effects

Category 2: Delay Effects

Category 3: Filter Effects.

  1. Dynamic effects plugins- generate amplitude over time.  You may recognize these effects as gates, compressors, expanders and limiters and can give the listener a sense of emotional intensity or help the music “tell the story” by increasing or decreasing the dynamic.
  2. Delay effects plugins –  Sound propagation or the speed at which a sound travels through and around objects can be simulated in the DAW to give us a sense of space.  Delay effects, like chorus, or phase and reverb as well as the flange make a recording sound as though it were played in a large or small space.  If you want your audience to get the feeling they are in a concert hall or perhaps outdoors delay effects can accomplish it.
  3. Filter effect plugins control something called timbre, (ˈtambər) or particular sound quality of an instrument such as a trumpet or violin or a voice.  When you adjust highs and lows in the DAW you are using filters.  The most common filters are the parametric and graphic equalizer or EQ.  Other Filters include high, low and band pass filters.

My first assignment was to discuss signal flow in a home production studio set-up.  Part of the signal flow which I did not discuss in-depth included the flow through the DAW itself.  Knowing where to position which effects can help a lot when producing music especially when mixing multiple tracks.

For instance, lets assume you’re mixing several background vocals and you equalized them carefully but now you want your listeners to feel as though the singers had performed in a great cathedral.  You’d want to add a delay effect plugin.  Trying to mix delay into each singer’s track individually and keep it consistent between the tracks would take some time to accomplish but if you routed those tracks into one sub-track you could filter them all at the same time, equally, and get that cathedral sound without all the fuss of individual mixing for that plugin.

So, you see, having an understanding of when and where to use which effect can make a huge difference in time management in the studio as well as improve accuracy and efficiency in the processing stages.

In reflection I’ve learned so much as I’ve contemplated and researched this topic.  My appreciation for those who have a great knowledge and understanding of this topic. Learning these categories and knowing where the plugins fit helps me get my head around some complexities that would otherwise be out of my reach!  And, in the end it’s not so overwhelming.

Thank you again for taking the time to read through my topic and for sharing your knowledge with me!

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